Interaction and Installation

Most of my works are more about states than about linear developments. Highly dynamic states that changes over time, and contain movements and variation. The compositorial process itself often includes setting up systems that act like permutating installations without a defined beginning and end.

I consider the placement of my music in a room as an integral part of the work itself; each concert set up is a situation in which the music interacts with a given space rather than occupying it.

I think of sound in visual terms, i use graphical interfaces to construct and perform my music, and I envision (sic!) sounds when looking at objects.

My interest in the relationship between sound and space, as well as my desire for the creation of complex and slowly changing structures, inevitably leads to a fascination for more sculptural or location-releated works of sound art.

2012 Fragile Territories

Laserinstallation

2011 Microsphere Self

Installation for five cymbals and hidden speakers, site specific work for LEAP Berlin. November 28th 2011 - December 2nd 2012 as part of the 'Body Controlled' exhibition.

2010 Transition Machine

Installation for multiple dismantled computer displays and sound. Solo exhibition at Fargfabriken, Stockholm, Sweden. October 30 2010 till January 9 2011.

2010 Traffic

Silent video installation about sound. Part of the group exhibition 'Klang im Namen des Raumes'. Location: Karl Marx Allee 75, Berlin. Till August 29th 2010.